It’s always a pleasure to have your work appreciated by and shared with others. It’s an honor when one of those others is @Tiny_Text, who regularly Tweets some of the most powerful, concise, thoughtful poetry found on Twitter. If you aren’t following @Tiny_Text, you’re missing out! Go follow them now, and enjoy a little bite of literature in your day!
Thank you, Tiny Text, for publishing my poem, “Spirits Tasting.” I appreciate your support!
Regret glistens like the fiery tequila I lick from your lips. I need you like salt. Consume me.
Today is the day serious book nerds like you and I look forward to for days, weeks, even months: it’s the day summer reading begins! You probably have a tall stack (or, if you’re like me, stacks) of books that you’ve anticipated reading for far too long. Some of these books may be mindless entertainment; stories you won’t take too seriously, and ones you’ll probably forget a few weeks from now. Some may be literary fiction; stories that will cause introspection, play with your emotions, leave you forever remembering characters who touched you. Some may be nonfiction; memoir, how-to, or self-help texts that will teach you something new. If you’re lucky, one will be a poetry collection; poems to inspire your day, lift your spirit, and encourage new ways of seeing the unique in everyday moments.
The best way to devour your summer reading list is to relax, and get started. Begin your day with a cup of coffee and a couple of great poems. Once you’ve been sufficiently inspired, crack open a non-fiction text and learn something new about a topic that interests you. In the afternoon, visit the beach with umbrella drink in hand, or grab an iced tea and sit outside on your porch, and lose track of time with a riveting novel that will transport you to a different world. Then, for a bedtime snack, pull out a collection of short stories or a fine literary magazine. Short stories couch brief flashes of light, of insight, of understanding; they’re perfect morsels of fiction that can nourish dreams and visions during your sleeping hours.
Now, what should you read? Feast your eyes upon whatever stories interest you! There’s a smorgasbord of summer reading lists online, and most any supermarket-checkout magazine will include someone’s recommended list of summer must-reads. If you don’t already have a stack you’ve been waiting to devour, check out the reviews at NewPages.com, or search Goodreads.com for suggestions. Or, check out the titles (some new, some a few years older) on my personal summer reading list, below:
American Sycamore by Kathleen Nalley – Poetry collection – I’ve had the privilege of not only reading Kathleen’s poetry before, but of hearing her read it aloud at the Converse Low-Residency MFA Program in Spartanburg, SC. Kathleen’s writing is sharp, precise, and easy to understand, yet it never fails to leave me breathless with newfound revelations.
Pasture Art by Marlin Barton – Short-story collection – Another collection of work by a friend whose Southern voice I hear in my head every time I read his stunning stories. This collection, set in Alabama, has been in my “save for dessert” stack. Why? Because I know from reading Barton’s prior work that this collection will indeed be a treat to be savored, full of stories I won’t want to rush through (even though they are brief), stories I’ll want to ponder and re-read, letting them melt into me, like ice cream on the tongue.
Wired for Story by Lisa Cron – Writing craft text – Every good writer must regularly read more about the craft of writing, but this text is touted as more than another how-to-write-well manual: it’s a blueprint of how the brain understands and processes stories, offering “cognitive secrets” and neuroscientific breakthroughs on how we respond to the stories we read (and write). Yes, this one should be worth biting into!
Live by Night by Dennis Lehane – Crime fiction– I’ve always loved to wolf down a riveting thriller, and when I first discovered Lehane’s work through his Gone, Baby, Gone series starring detectives Kenzie and Gennaro, I was hooked on his writing, as it’s the perfect blend of entertaining genre and literary fiction. Live by Night is the story of the rise and fall of a Prohibition-Era gangster, soon to be made into a major motion picture directed by Ben Affleck.
We Were the Mulvaneys by Joyce Carol Oates – Literary fiction – Yes, this “Oprah’s Book Club” bestselling novel was published in 1997, but it’s never too late to catch up on classic fiction that you missed the first time around. This family saga of heartbreak, healing, and hope has been recommended to me at least a dozen times, and this summer is the perfect time for me to sink my teeth into it.
Lost Mountain by Erik Reece – Environmental non-fiction – Another text that’s a few years old (2006), but one that I’m anxious to read. Reviews of this work collectively state that it’s more than a nature book, more than ecocriticism, more than a documentary; it’s evocative writing in truthful terms about a subject that is often buried, and when it is unearthed is sometimes pushed aside as mere righteous indignation. The unpalatable, radical destruction of Appalachia through mountaintop-removal mining is something every American needs to know more about, and this is the text I’ll be reading to further my education on this devastating reality.
Bellevue Literary Review, Vol. 15, No. 1 – Literary magazine – If you aren’t regularly reading literary magazines, you are really missing out. Not only is it the best way to be the first among your friends to discover great new writers, it’s the best way to support those new writers as they’re starting out. In addition, you’ll find smashingly good work by your personal favorites. Bellevue Literary Review, with its focus on short fiction, poetry, and nonfiction stories about medicine, nursing, philosophy, ethics, psychology, and sociology, has long been one of my favorite literary journals. These little literary bites are perfect for mental noshing while waiting for an appointment, lounging by the pool, or just before bedtime. I’m looking forward to whetting my story appetite on this quarter’s issue.
Now you know what I’ll be reading this summer. What are some of the titles on your summer reading list? Share them in the comments section below, and let’s exchange recommendations and reviews!
So your friend—or, God help you, your spouse—is a writer. Chances are, the more you get to know your writer, the more confused you’ll feel. Writers are odd ducks. We’re fun. We’re irritating. We’re enigmas and amoebas. How are you supposed to make sense of someone who flip-flops more than cheap rubber shower thongs? It’ll help you to know a few things about us that might make us a little easier to understand. Or not. No one says we are easy.
1. We are extroverted introverts. Writers realize the importance of socialization; in fact, we’re often pushed to network, self-promote, and mingle in order to make the necessary connections to publish our work, or sell it once it is published, so that we can publish again. We can juggle Facebook, Pinterest, and Twitter, all while texting and providing riotous dinner-party banter. Sometimes we are wildly gregarious, prone to spontaneous road trips or bar-hopping. We can be the life of the party, cracking witty jokes you can’t wait to tell your friends at the water cooler, and boogying to every song the band plays. Don’t count on our amusing behavior to last, however, because . . .
2. We are introverted extroverts. You know that party we looked forward to all week? The one we chattered about incessantly, the one for which we bought a sparkly dress and fabulous shoes? We might arrive and sit quietly in a corner. Yes, last weekend we sang karaoke at midnight and break-danced as an encore, but this weekend we’re happy to play the wallflower, soaking up all that energy we expended the last time we were out. We’re having fun—don’t think we aren’t, even if we’re not smiling—because we’re watching, we’re processing, and we’re thinking. And it’s likely that something we see, hear, smell, feel, or taste will show up later in the story we’re writing.
3. We are usually right. Writers are sometimes perceived as know-it-alls. It isn’t that we believe we know everything, though we surely wish we did. We’re avid researchers, constant readers, and we’re always questioning how this works and why that doesn’t. We study the ingredients on cereal boxes. Our dictionaries actually wear out from overuse. Our Google search history could easily get us arrested. We’re smart, because we thirst for knowledge like a sponge in the Sahara Desert, and we’ll track down an expert for answers as doggedly as if he were the Aquafina man. When we offer unsolicited advice, consider it a gift (this is one we hope you’ll return!), because we give it in the spirit of helpfulness, not haughtiness.
4. But we are often wrong. And it breaks our hearts. It embarrasses us. Mortifies us. Many times, we know the answer, but our always-in-overdrive brains sometimes can’t shift gears quickly enough to turn a tight corner. So when you ask us the difference between a simile and a metaphor, and we answer incorrectly—though we’ve known the answer at a cellular level since third grade—it isn’t because we’re dumb. It’s because our minds are absorbing new information, or we are creating a new character in our minds, or writing a scene for a work in progress—or all of this is happening simultaneously in our heads while we’re attempting to answer your question. Besides, if we truly don’t know the answer, you can bet we’ll look it up.
5. We are not ignoring you. Yes, you’ve said our name three times, and when we finally respond, we ask you to repeat yourself twice. It’s sometimes difficult for us to come back to this planet when we are in a world of our own making. We are often visiting universes that we’ve created inside of our heads. We have to go there. Have you ever read a story and envisioned the scene as if it were playing out in front of you? That’s because a writer became so intensely involved in the creation of that setting that she pictured it in vivid detail—scents, sounds, surfaces, and more—so much so that she temporarily blocked out this world in order to create that one. It’s a necessary part of the job, and it’s what makes us good at what we do. It’s hard to hear you when we’re intently listening to the monologue or dialogue inside of our heads. Be patient. Repeat yourself. We’ll catch up to you.
6. Except when we’re ignoring you. Writing is a solitary profession driven by creativity that requires deep internal thought. The busyness and business of everyday life must be shut out both mentally and physically for us to work at peak capacity and get in touch with our highest creative selves. We’re okay with shutting the door—and locking it. We’re fine going all week without television, and we may equally be fine letting it play all day on the same unwatched channel. We don’t feel guilty letting your call go to voice mail. (In fact, when we’re writing, a ringing phone can be the equivalent of a pipe bomb exploding in our laps.) We can exist for days on coffee and candy corn or wine and Doritos. Don’t worry. We’ll come around soon enough, and we’ll again be ready to jabber until your ears wear out or spin you around the dance floor until your legs grow numb.
We know we’re different. We’re okay with that. And we hope with every breath that you’re okay with it, because we need you. When we come back to this earth, this country, this room, we want to find you there. After all, it’s you we’re writing for.
Tip for Writers: Be sure to email the link to this article to your your friend or significant other, or print it out and strategically place it where they will see it. Then get back to writing!